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Notas[La página 350 del original presenta el índice de la sección 2. Las páginas 386 a 388 del original presentan la sección AATSP. Las páginas 389 a 390 del original presenta el índice de la sección 3. (N. del E.)] I am grateful to William R. Blue, Judy Kem, Milorad Margitic and Patricia V. Lunn for their helpful comments on this paper. (N. del A.) See Sedgewick, States (Irony), Sharpe and Muecke on irony in the theater. (N. del A.) Trueblood's article on Lope de Vega links role-play in Lope's plays to the ludic spirit in Lope's life. Ruggerio's article on dramatic conventions in the comedia discusses the structural importance of asides, soliloquies and narratives, e.g., that asides «channel the spectator's attention» (142). (N. del A.) See Valbuena Prat, Doménech, and Forbes on the role of the gracioso. (N. del A.) See Turner, especially 114-15, for a discussion of pre-Renaissance liminal and post-Renaissance liminoid theater. (N. del A.) All citations of the plays are from the Blanca de los Ríos edition of Tirso's Obras. The Roman numeral indicates the volume. (N. del A.) See Francisco Ayala, «Erotismo» and «Introducción». (N. del A.) I am indebted to the late Professor P. R. K. Halkhoree for his work on Don Gil de las calzas verdes and La celosa de sí misma. See Halkhoree, «Social...» now published in part as Social and Literary Satire in the Comedies of Tirso de Molina. (N. del A.)
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